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Week of November 5, 2012

Brehm gift launches building expansion at School of Music, Theatre & Dance

The School of Music, Theatre & Dance, ranked among the top performing arts schools in the nation, has received an $8 million gift from William K. and Delores S. Brehm to renovate and expand one of the school’s principal North Campus buildings, the Earl V. Moore Building, pending regental approval at the Nov. 15 meeting.

President Mary Sue Coleman announced the gift to the university community Oct. 30 at the President’s Leadership Breakfast where she shared her plans for the upcoming year.

“We do art and science very well at this university; what binds the two is the university’s capacity for creativity,” Coleman said. “With their generosity, the Brehms are expanding the U-M environment for creative work and creative approaches. This transformation of SMTD is genuinely exciting, and complements new performance spaces such as the Walgreen Drama Center and Arthur Miller Theatre.”

Construction for the project, pending regental approval, will commence in early 2014 and is expected to be completed in about two years.

“This commitment demonstrates Bill and Dee Brehm’s longstanding enthusiasm and care for the experiences of U-M students,” said Christopher Kendall, dean of SMTD and Paul Boylan Collegiate Professor of Music. “This project will ensure that SMTD remains among the pre-eminent performing arts schools. The Brehms have a deep personal involvement in and appreciation for the performing arts, and with this gift they have become visionary champions for future generations of our music students. Bill, a 1950 graduate of U-M, is himself an accomplished musician.”

The Brehms’ gift is a catalyst and crucial contribution toward the total $23 million cost of renovating and expanding the Earl V. Moore Building, the original North Campus home to SMTD. Of the total cost, $14 million is allocated from the university with the balance to come from additional fundraising, including a gift from Glenn E. Watkins, emeritus professor of musicology, which will provide for a state-of-the-art lecture hall as part of the expansion.

Delores S. and William K. Brehm..

During the past several years, U-M has opened the Walgreen Drama Center and Arthur Miller Theatre, expanded and renovated the U-M Museum of Art and supported a nationwide initiative to explore ways to integrate the arts into the work of research universities. In September, the university received the largest-ever donation to an art-and-design program in the U.S., with the regents renaming the school the Penny W. Stamps School of Art & Design, in honor of the donor.

SMTD is distinguished by its world-renowned faculty and by its ability to offer the highest level of conservatory training coupled with equally rigorous academic studies. The school’s core performing arts curricula in traditional areas of music, theatre and dance are complemented by concentrations in musical theatre, jazz, interarts performance, performing arts management and performing arts technology. With its unique position as a performing arts school within a major research university, the school features numerous multi-unit faculty appointments and many dual-degree majors.

U-M graduates contribute to the rich diversity of American performing arts. They work in many of the world’s great orchestras, regularly appear on Broadway in plays and musicals, are members of internationally recognized theatre and dance companies and perform on the great stages of the world. The university has cultivated generation after generation of artists that have influenced our national artistic landscape.

Alumni include legends and rising stars such as soprano Jessye Norman, actor James Earl Jones, jazz composer Bob James, musical theater artist Gavin Creel, television star Darren Criss, violinist and Sphinx Organization founder Aaron Dworkin and international pop star Madonna, among many others.

Graduates teach at institutions throughout the country including Eastman School of Music, the Juilliard School, Indiana University’s Jacobs School of Music and the Curtis Institute of Music, among others, and comprise a veritable roster of leadership among U.S. performing arts schools.

SMTD is also in the vanguard of schools encouraging greater diversity; about 11 percent of its student population comes from underrepresented groups.

William and Delores Brehm

For the past decade, the Brehms have played a vital role in the evolutionary progress of U-M, donating more than $60 million to support a range of projects and programs, including the eight-story, 230,000-square-foot addition to the Kellogg Eye Center and the founding of the Brehm Center for Diabetes Research & Analysis.

They also have supported two professorships, the William K. and Delores S. Brehm Professorship in Type I Diabetes Research and the Larry D. Soderquist Professorship in honor of Dee’s brother. Additionally, they created the Brehm Scholars program for graduates of Fordson High School in Dearborn (Bill Brehm’s alma mater). This program has so far supported 35 students with full tuition scholarships. Of the 17 who have now graduated, six have been admitted to the Medical School, one to the Law School, and one to Wayne State Medical School. Other graduates are pursuing advanced degrees at U-M.

In honor of their philanthropy, the Muslim community in Dearborn publicly honored the Brehms. Regarding the Brehms’ approach to their philanthropy, Bill Brehm says, “There is no greater compliment one can receive than to have one’s ideas taken seriously.”

Renovation and expansion of the Earl V. Moore Building

Built in 1964, the Earl V. Moore Building was designed by Eero Saarinen. The classic mid-century modern design evokes a harmonious relationship with the park-like surroundings on the wooded and hilly North Campus. In 1985, the Margaret Dow Towsley Center was added to the Moore Building to contain the Blanche Anderson Moore Organ Hall and McIntosh Theatre. The addition was made possible in part by generous support from the Harry A. and Margaret D. Towsley Foundation.

Pending regental approval, the proposed architect of record is Integrated Design Solutions (IDS) of Troy, Mich., and Ennead Architects of New York City is the project’s design architect. Kirkegaard Associates, one of the pre-eminent acoustic design firms in the country, will serve as the acousticians. Ennead has designed performing arts projects at Stanford University (Bing Concert Hall), at Carnegie Hall, and the Frank Sinatra School of the Arts in the Astoria neighborhood of the Queens borough in New York City.

Goals of the proposed renovation and expansion of the Earl V. Moore Building include:

• A new rehearsal hall designed to accommodate large instrumental ensembles, including the University Symphony Orchestra and University Symphony Band.

• Renovation of the existing rehearsal hall and McIntosh Theatre, which will enhance the choral and opera programs and public performance opportunities.

• Lecture hall designed especially for academic lectures, state-of-the-art classroom teaching and visiting artist and scholar presentations.

• Welcoming entrance and lobby to accommodate audiences who annually attend hundreds of recitals and performances in Britton Recital Hall, McIntosh Theatre, and Blanche Anderson Moore Hall, and now the new spaces within the expansion.

• A substantial increase in the number of practice rooms and acoustical updates and increased room sizes for the practice wing.

• New classrooms designed with acoustical treatment for academic classes and chamber music rehearsal space.

• Added faculty offices and studios for one-on-one student-teacher interactions.

• Suite of percussion and jazz percussion practice rooms, teaching studios and rehearsal spaces with advanced acoustical attributes.

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